GEORGE'S FAVOURITE SITES ON THE INTERNET
WELCOME TO OUR ARCHIVE.
ALL THE WORLD'S A STAGE, AND ALL 
THE MEN AND WOMEN MERELY PLAYERS: 
THEY HAVE THEIR EXITS AND THEIR 
ENTRANCES; AND ONE MAN IN HIS 
TIME PLAYS MANY PARTS ... . 

William Shakespear. 
As You Like It, act. 2, sc. 7.

En masse:  Part 1. German, French and English Science, Drama and Literature. The Gods and other Figures in Cinema. Part 2. The Gods and Legends in Psychoanalysis. The Greek Players on Stage.  Part 3. Dramatic structures from Aristotle to the 'pot-boiler'. Tragedy - A Definition and Community Awareness. The Oracular Shrine at Delphi - Backdrop to the Oedipus Legend. Part 4. The Three Fates: Clotho, Lachesis, and Atropos. 'Free Will' vs. 'Determinism' - A psychological and Philosophical perspective.  Part 5. Three Milestones, and Bibliography. A catalogue of explainations,  comments and evidential supports.

En masse:  Father's Views on The Imperialist Realpolitik in Iraq, and The Trade Union Movement. Postings from Paul dos Remedios ( Northern Rivers, NSW. Australia) and Paras Deliyannis ( Melbourne, Australia ). lessness, Anarchy and Radical Left Thought, the Neo-Nazis, and Syndicalism.  En masse:  Part 1. A democratic platform for debating on diverse topics, and to provide intellectual entertainment.


En masse:  Part 1. Some of the most outstanding and authoritative web sites on Middle Eastern affairs.  En masse:  Part 1. Quotations for this Month.

Many thanks to the Judges for recognizing our site as having some worth on the World Wide Web. We are honoured, and grateful to the Judges for conferring the various Awards. We hope that you will honour the Judges, and Organizers, for their time and effort reviewing our site by visiting their web sites, by clicking on their Award images. En masse: Jagad Guru Siddhaswarupananda Paramahamsa Chaitanya Mission, Manila, Philippines. Mr Rod McLennan, Melbourne, Australia.  International Society for Krishna Consciousness, Los Angeles, California U.S.

En masse: Part 1.  Preamble, ethanol ingestion, ethanol molecule and infant's blood alcohol level (BBB), inspiration and excretion. Part 2.  Anatomical and physiological components, orientations, effects on neurones and efferent fibres. The medulla oblongata, pons, mesencephalon, and thalamus. Part 3.  Subthalamus, hypothalamus, cerebellum, limbic system, cerebal cortex, and behavioural effects. Part 4. Organ systems, anterograde amnesis, three consecutive phases in physical dependence syndrome, Wernicke-Korsakoff's syndrome. Part 5.  Conclusion and Bibliography.  En masse: Part 1.  Your letters and Father's replies.

En masse: Part 1.  Russell's 'Witnesses' and the 'Tower' of lies and deception. Part  2.  The Cain and Abel Narrative.  Part  3.  Individualism and Monotheism.  Part  4.  'The Story'.  Part  5.  The 'Call'.  Part  6.  'Political Correctness'.  Part  7.  'Fundamentalism'.  En masse:  Father's favourite people, Philanthropic organizations, academic institutions, journals and magazines.

En masse:  Part 1.  This article has been written to challenge some of the main astrological concepts. An exploratory exercise to scratch below the surface to discover whether or no astrology has any intellectual value.  The Historical background.  Part  2.  The historical, legal, and socio-anthropological factors.  Part  3.  The atheatheistic mechanistic concept, and the horoscope ( Pt.i. ).  Part  4.  The horoscope contn. ( Pt.ii. ), and astrology as pseudo-psychology. The bibliography. En masse:  Part  1.  An outline of 'La Roue de Fortune X Arcanes Majeurs' from the perspective of Poetry and Prose. Part  2.  An outline of 'Le Diable XV Arcanes Majeurs' from the perspective of Poetry and Prose.

En masse:  Part  1.  Father's Photo Album of People and Places.  Introducing my friend and mentor: Rev. Fr. Maximiadis.
En masse:  Part  1.  The Moral Ambiguity of The United States.
ALL THE WORLD'S A STAGE, AND ALL THE MEN 
AND WOMEN MERELY PLAYERS: THEY HAVE 
THEIR EXITS AND THEIR ENTRANCES; AND ONE 
MAN IN HIS TIME PLAYS MANY PARTS ... . 

William Shakespear. 
As You Like It, act. 2, sc. 7.






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